My directing work within Frecuencia Lavanda reflects a broad spectrum of thematic and visual approaches shaped around the unique voice of each artist. For Session n.1 with Chusi Vega, I established the series’ tone by designing a warm, analog-inspired setup influenced by 1970s live sessions. The direction focused on capturing an intimate, timeless atmosphere that introduced the project’s core mission: presenting Costa Rican artists in a new, unexpected light.
For Session n.9 with Javi Jiménez, I shifted toward a more homemade, documentary-style aesthetic. The goal was to recreate the feeling of a casual rehearsal or a late-night conversation among friends. The direction emphasized closeness, movement, and an unpolished sincerity that matched the artist’s sound and personality.
With Alelí Prada, the concept moved into an esoteric, herbal, nature-centered visual language. The session drew from elements of natural witchcraft, soft ritualistic imagery, and organic materials to create a mystical yet grounded space. My direction focused on translating these symbolic references into performance tone, pacing, and spatial dynamics that supported Alelí’s artistic identity.
Beyond solo singer–songwriters, I have also directed sessions requiring extensive technical coordination, multi-layered staging, and large ensemble management for artists such as Islas, Half Tangerine, and Foffo Goddy. These projects demanded careful integration of lighting, set movement, camera choreography, and performance flow to maintain clarity and cohesion while working with larger groups and more complex spatial arrangements.
Across all these sessions, my work as a director has centered on shaping tone, guiding performers, orchestrating visual rhythm, and ensuring that each session offers a meaningful, visually distinct experience reflective of the artist’s world.
