Tengo Frío Tengo Calor

project overview

Conceptualized, directed, and edited a hyper-sensory music visualizer exploring the extremes of the human body and sensory overload. By combining thermal imaging aesthetics, dynamic framerate manipulation, and striking VFX, I crafted a visceral, chaotic visual journey that captures the artist's physical descent into excess.

project type

music video

year

2026

my role

Video Editor

client

García Picasso

For Garcia Picasso’s "Tengo Frío Tengo Calor," I developed the core concept and served as Director, Editor, and VFX Artist, orchestrating a radical visual shift from cold, digital environments into a deeply visceral, human landscape. Serving as a "sensory laboratory" pushed to the brink of excess, the piece explores the physical body reacting to extreme stimuli. The narrative ignites with a macro slow-motion shot of a chemical drop and dilating pupils—a moment of elegant tension that quickly fractures into a chaotic exploration of the artist experiencing absolute sensory overload. To translate this altered, uncontrollable state to the screen, I heavily emphasized skin textures and hyper-sensory aesthetics. I utilized thermal imaging techniques to build a surreal, high-contrast palette of intense warm tones clashing with deep blues, directly mirroring the track's title. In post-production, I layered aggressive motion blur, abrupt framerate shifts, and dynamic light leaks to craft an erratic, immersive viewing experience that champions raw human emotion and physical excess over digital perfection.

For Garcia Picasso’s "Tengo Frío Tengo Calor," I developed the core concept and served as Director, Editor, and VFX Artist, orchestrating a radical visual shift from cold, digital environments into a deeply visceral, human landscape. Serving as a "sensory laboratory" pushed to the brink of excess, the piece explores the physical body reacting to extreme stimuli. The narrative ignites with a macro slow-motion shot of a chemical drop and dilating pupils—a moment of elegant tension that quickly fractures into a chaotic exploration of the artist experiencing absolute sensory overload. To translate this altered, uncontrollable state to the screen, I heavily emphasized skin textures and hyper-sensory aesthetics. I utilized thermal imaging techniques to build a surreal, high-contrast palette of intense warm tones clashing with deep blues, directly mirroring the track's title. In post-production, I layered aggressive motion blur, abrupt framerate shifts, and dynamic light leaks to craft an erratic, immersive viewing experience that champions raw human emotion and physical excess over digital perfection.

return

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