Corazoncito
project overview
Served as Video Editor and Camera Operator/DP for “Corazoncito” by Chusi Vega. Helped shape a nostalgic, disposable-camera aesthetic and supported the integration of 2D animation within the final cut.
project type
music video
year
2024
my role
Video Editor
client
Chusi Vega
On “Corazoncito,” I was responsible for both the cinematography and the complete editorial process, contributing directly to the visual language of the piece. As DP and camera operator, I designed shots that embraced the spontaneity and imperfections associated with disposable cameras, using composition, movement, and natural light to anchor the project in an intimate, analog sensibility. In the editing phase, I crafted the narrative rhythm and integrated 2D animated elements, ensuring they blended seamlessly with the lo-fi aesthetic. My color grading work focused on replicating film texture—subtle grain, tonal shifts, and organic artifacts—to reinforce the homemade visual identity. This dual role allowed me to maintain creative continuity from image capture to final delivery, shaping the overall mood and emotional resonance of the video.
On “Corazoncito,” I was responsible for both the cinematography and the complete editorial process, contributing directly to the visual language of the piece. As DP and camera operator, I designed shots that embraced the spontaneity and imperfections associated with disposable cameras, using composition, movement, and natural light to anchor the project in an intimate, analog sensibility. In the editing phase, I crafted the narrative rhythm and integrated 2D animated elements, ensuring they blended seamlessly with the lo-fi aesthetic. My color grading work focused on replicating film texture—subtle grain, tonal shifts, and organic artifacts—to reinforce the homemade visual identity. This dual role allowed me to maintain creative continuity from image capture to final delivery, shaping the overall mood and emotional resonance of the video.
